GK Global
← Trails & Tales

History · Kerala beyond Idukki · Long read · 15 min read

Edakkal Caves and the Story of Wayanad: Stone Age Carvings to Pazhassi Raja

A cleft in a mountain covered with ancient engravings, an inscription of a king called Vishnuvarman, a police officer's notes of 1901, and Wayanad's long history from Jain merchants and Tipu Sultan to the forest war of Pazhassi Raja.

By GK Global, Adimali, Munnar · Trails & Tales by GK

Close view of a sandstone-coloured rock wall densely engraved with grooved lines, a wheel-like rosette, grids and human figures
The engraved wall of Edakkal: rosettes, grids, lines and figures scraped into the rock, layer over layer. Photo: Ingo Mehling, via Wikimedia Commons, CC BY-SA 4.0; resized and enhanced by GK Global, and this version is shared under the same licence.

High on a granite hill in Wayanad, a giant boulder once split away from the mountain, and another fell across the gap like a roof. The result is not really a cave but a tall, narrow cleft in the rock, lit from above. On its walls, scraped into the stone, are hundreds of figures: people with strange tufted headdresses, animals, wheels, grids, spirals and signs no one has yet read. Among them, much later, someone wrote a few lines in ancient letters.

These are the Edakkal Caves, one of the oldest galleries of human imagery in South India, and the best place to begin a story of Wayanad, Kerala's highland district on the borders of Karnataka and Tamil Nadu. In this article we tell how the caves came to the attention of the world, what the carvings and inscriptions show, and how much of what is said about them is proven; and we follow the history of Wayanad down to its forest rebel king, Pazhassi Raja. As always, our own assessments are clearly marked.

At a glance

The land of paddy fields

The name Wayanad is usually explained as vayal nadu, 'the land of paddy fields', and the high plateau, about 700 to 2,100 metres above the sea, is still a country of rice fields in its valleys, with coffee, pepper, tea and cardamom on its slopes and some of Kerala's richest forests along its borders. Its oldest inhabitants are its tribal communities, among them the Paniya, Kurichiya, Kuruma (Kurumbar), Adiya and Kattunaikka. Wayanad has the largest Adivasi population of any district in Kerala.

The plateau was also a road. Old paths ran from the Mysore plateau down through Wayanad's passes to the ports of the Malabar coast, carrying spices west and goods east. The great rock with its engraved cleft stands within sight of these routes, and the stone circles and burial monuments of Wayanad's Iron Age people are scattered across the same country.

A great bare rock face rising above coconut and areca palms in a hazy blue light
Ambukuthi Mala, the hill of the Edakkal Caves, seen through the palms of Ambalavayal. Photo: Wikimedia Commons contributor (Dec. 2004), via Wikimedia Commons, CC BY-SA 3.0; resized and enhanced by GK Global, and this version is shared under the same licence.

'Notes on the rock carvings': an officer's discovery

The caves came to the notice of scholars through a British police officer, Fred Fawcett, Superintendent of Police in Malabar, who had a keen interest in anthropology. In October 1901 he published 'Notes on the Rock Carvings in the Edakal Cave, Wynaad' in The Indian Antiquary, the leading journal of Indian studies of the day, with his own photographs. His article is still the starting point for everything written about Edakkal.

The first page of a printed journal article titled Notes on the Rock Carvings in the Edakal Cave, Wynaad, by F. Fawcett
The first page of Fawcett's article, The Indian Antiquary, October 1901: 'To the S. W. of the town of Ganapativattam, known as Sultan's Battery to Europeans…' F. Fawcett, 'Notes on the rock carvings in the Edakal Cave, Wynaad', The Indian Antiquary, vol. 30 (October 1901), p. 409, via Wikimedia Commons, public domain; restored by GK Global.

Read today, the article is full of surprises:

Two old black-and-white photographs of a rock surface covered with incised lines, figures and grids, with the caption Edakal Cave Plate IV
Fawcett's photographs of the carvings, taken in 1895–96 and published as Plate IV in 1901. They are among the earliest photographs of Edakkal. Photographs by F. Fawcett, published in F. Fawcett, 'Notes on the rock carvings in the Edakal Cave, Wynaad', The Indian Antiquary, vol. 30 (October 1901), Plate IV, via Wikimedia Commons, public domain; restored by GK Global.

Our assessment: who 'discovered' Edakkal?

Popular accounts say that Fawcett 'discovered' the caves in 1890, often during a hunting trip. His own article tells a different and more honest story: the cave was well known to the people of the hill, and his first visit was in December 1894. We have not found a primary source for the year 1890. What Fawcett did was to bring the cave to the attention of scholars, by photographing it, clearing its floor and publishing it with the help of the leading epigraphist of the day. That is achievement enough. The people who knew the cave first, and the Kurumbar who held it in reverence, are the real discoverers, and the old belief that the hill was sacred may well be a memory of its ancient use.

The cleft and its carvings

Fawcett described the place precisely: 'The Edakal Cave is not a cave in the ordinary sense of the word. It is properly a cleft about 96 feet long and 20 to 22 feet wide in the rock', formed when a corner of the rock split away from the main body, with 'an enormous rock weighing several hundred tons' fallen across it as a roof. Today visitors climb a steep path and iron steps to reach two chambers, the upper one with the engravings.

Inside a tall rock cleft: huge grey boulders wedged overhead, and below, a crowd of visitors on a sandy floor, with iron steps leading up
Inside the cleft: the wedged boulders that give Edakkal, 'the stone in between', its name, and visitors on the floor of the lower chamber. Photo: Ingo Mehling, via Wikimedia Commons, CC BY-SA 4.0; resized and enhanced by GK Global, and this version is shared under the same licence.

The walls carry a dense tangle of engravings, cut over each other so thickly that, as Fawcett said, it takes long study to make anything of them. Among them are:

A rock surface densely covered with incised lines, a large spiral of concentric circles and a figure with a rayed headdress
A figure with a rayed headdress (upper left), concentric circles and a dense web of lines. Photo: Ingo Mehling, via Wikimedia Commons, CC BY-SA 4.0; resized and enhanced by GK Global, and this version is shared under the same licence.
Close view of an engraved rock with a figure with a spiky headdress, triangles, a spiral and grid patterns
Another panel: a headdressed figure in the centre, a spiral at lower right, and triangles and grids around them. Photo: Monument hunter, via Wikimedia Commons, CC BY-SA 4.0; resized and enhanced by GK Global, and this version is shared under the same licence.

The inscriptions

Among the carvings are a handful of short inscriptions, far later than most of the engravings. Fawcett sent ink impressions (estampages) to E. Hultzsch, the government epigraphist, who reported five short inscriptions, four 'in archaic characters'. Hultzsch read the clearest of them as:

Sri-Vishnuvarmmano Kutumbiya-kula-vardhanasya likhitam, 'the writing of the glorious Vishnuvarman, the propagator of the Kutumbiya family'.

He noted that names ending in varman belonged to rulers, so Vishnuvarman 'was probably a chief or king'. Later scholars have often identified him with a Kadamba king of the 5th century CE, from the dynasty that ruled from Banavasi on the Karnataka plateau. Another inscription Hultzsch found unintelligible but 'decidedly archaic'; the remaining ones were read, then and since, in different ways. Scholars now generally regard the oldest of them as written in an early form of the Tamil-Brahmi script, from the early centuries CE, and they have proposed readings of personal names, but there is no single agreed reading.

An old printed plate with four vertical strips of rubbings showing white letters on a black background, labelled No. 1 to No. 4 and E. Hultzsch
'Cave inscriptions near Sultan's Battery': the ink impressions of the inscriptions made for E. Hultzsch, as published in 1901. No. 1 is the Vishnuvarman inscription. F. Fawcett, 'Notes on the rock carvings in the Edakal Cave, Wynaad', The Indian Antiquary, vol. 30 (October 1901), plate of inscriptions prepared for E. Hultzsch, via Wikimedia Commons, public domain; restored by GK Global.
A weathered rock surface with two lines of faint engraved ancient letters
An inscription on the cave wall today, much fainter than the engravings around it. Photo: Ingo Mehling, via Wikimedia Commons, CC BY-SA 4.0; resized and enhanced by GK Global, and this version is shared under the same licence.

Our assessment: how old are the carvings?

The Edakkal engravings are often said to be 6,000 or even 8,000 years old. These figures should be treated with caution. Rock engravings are very hard to date directly; no scientific dating of the Edakkal carvings has been published, and the dates quoted come from comparison of styles and from the archaeology of the surrounding region.

The circumstantial evidence points to many periods. Fawcett's deep layer of earth on the floor supports great age. The headdressed human figures and the abundance of geometric signs resemble the art of the Neolithic and Iron Age in South India, and Fawcett himself noted stone circles, Iron Age burial monuments, on the hills around. The inscriptions belong to the first centuries CE and the 5th century. Our reading is that the cleft was a special place over a very long time, from the late Stone Age through the Iron Age to the early historic period, and that people kept returning to add their marks. It is the accumulation of these layers, not a single date, that makes Edakkal remarkable.

Our assessment: an Indus link?

In 2009, the historian M. R. Raghava Varier of the Kerala State Archaeology Department announced that one of the Edakkal figures, a man with a jar-like cup, resembled a well-known sign of the Indus script, and the Indus scholar Iravatham Mahadevan called it a major discovery. The claim attracted great attention, and some went on to describe Edakkal as an Indus site.

A resemblance between two signs is interesting, but it is not proof of a connection. Simple pictograms (a person, a pot) can arise independently in many cultures, and the Indus script itself remains undeciphered. There is no other evidence of Harappan presence in Wayanad. We think the most that can fairly be said is that the sign is a striking parallel that deserves study, and that Edakkal's real importance does not depend on it.

From the Kadambas to Tipu Sultan

For much of its history Wayanad was a frontier country, ruled from the plateau to the east or from the coast to the west. The Kadambas, the Gangas, the Hoysalas and the Vijayanagara empire held it at different times; local chiefs, the Kottayam rajas of north Malabar among them, governed it in practice.

One monument of that long medieval story is the granite Jain temple at Sultan Bathery, believed to date from about the 13th century, when Jain traders and farmers from Karnataka had settled in the area: the town was then called Ganapathivattam, and had Jain streets of its own. In the 18th century the armies of Hyder Ali and Tipu Sultan of Mysore came through Wayanad on their way to Malabar, and the temple is said to have been used by Tipu as an ammunition store. The British called the place 'Sultan's Battery', which became the town's name, Sultan Bathery.

A granite temple with a flat roof and carved pillars, behind two tall carved stone pillars with seated Jain figures, among coconut palms
The Jain temple at Sultan Bathery, of about the 13th century, with its carved granite pillars. Photo: Ingo Mehling, via Wikimedia Commons, CC BY-SA 4.0; resized and enhanced by GK Global, and this version is shared under the same licence.

At Thirunelli, deep in the forest at the foot of the Brahmagiri hills, stands one of the oldest temples of Kerala, dedicated to Vishnu and known as 'the Kashi of the south' for the rites for ancestors performed in the stream Papanasini. Its copper-plate grant of the Chera king Bhaskara Ravivarman, published by Hultzsch in 1891 from the plates then kept at Mananthavady, shows that the temple was already an important institution around the 11th century.

A long, low temple with sloping tiled roofs and a granite colonnade, with green hills behind and pilgrims walking in front
The Thirunelli temple below the Brahmagiri hills, with pilgrims on its granite path. Photo: RajeshUnuppally, via Wikimedia Commons, CC0; resized and enhanced by GK Global.

Pazhassi Raja: the lion of the forest

Wayanad's most famous historical figure is Kerala Varma Pazhassi Raja (1753–1805) of the Kottayam royal house of north Malabar, remembered as Kerala Simham, 'the Lion of Kerala'. He first resisted the Mysore armies of Hyder Ali and Tipu Sultan, at times in alliance with the East India Company. But when the Company, having taken Malabar from Tipu in 1792, imposed its own revenue settlement and claimed Wayanad, Pazhassi turned against the British. The war that followed, which the British called the Cotiote (Kottayam) War, lasted with interruptions from 1793 to 1805.

Pazhassi fought from the forests of Wayanad and the Purali hills, with Nair and Mappila fighters and, above all, the Kurichiya and Kuruma archers of the plateau, led by commanders such as Thalakkal Chandu. Among the officers sent against him was the young Arthur Wellesley, the future Duke of Wellington, who commanded in Mysore and Malabar at the time. Pazhassi was finally killed on 30 November 1805 in a clash at Mavila Thodu, a stream near Pulpally, by a force under the sub-collector Thomas Hervey Baber. Accounts of his last moments differ, and a popular tradition says he swallowed a diamond ring rather than be taken alive. Baber had his body carried on his own palanquin to Mananthavady, where he was cremated with honours, and he wrote that the Raja was held in respect by all classes of people even after his death. His tomb at Mananthavady is a memorial today.

A small open pavilion with a tiled pyramid roof and carved posts on a terrace, overlooking green hills
The memorial at the tomb of Pazhassi Raja, Mananthavady. Photo: Mullookkaaran, via Wikimedia Commons, CC BY-SA 3.0; resized and enhanced by GK Global, and this version is shared under the same licence.

Our assessment: Pazhassi and the people of the hills

Pazhassi Raja is often presented as a lone royal hero, and Wellesley himself thought the revolt was essentially one man's. We think that underestimates his allies. A war in the Wayanad forests could not have lasted twelve years without the Kurichiya and Kuruma communities, whose archers, knowledge of the forest and loyalty sustained it; their leaders, like Thalakkal Chandu, were captured and executed too. The story of Wayanad's resistance is as much theirs as the Raja's. It is fitting, then, that the long human story of this plateau begins on the walls of Edakkal, made, as far as anyone can tell, by the ancestors of the hill peoples who still live around it.

Wayanad today

Coffee and pepper estates, laid out from the 19th century onwards, settlers from Travancore who came in great numbers in the 20th, wildlife sanctuaries and, more recently, tourism have transformed the plateau. Wayanad also knows sorrow: on 30 July 2024, landslides at Mundakkai and Chooralmala after extreme rain killed some 298 people, and 32 more who were never found were later declared dead, one of the worst disasters in Kerala's history. The tourist places of Wayanad reopened in stages afterwards, and responsible visitors are an important part of its recovery.

Edakkal itself is fragile. Heavy rain in 2018 washed water and debris into the cave, and since then entry has been limited to 1,920 visitors a day. Quarrying on the hills around has long been a concern for the safety of the rock.

Visiting Edakkal

Read also: Kozhikode and the Zamorins · Thalassery · Kannur · Bekal Fort and Tipu Sultan · Theyyam

See it for yourself, with a local driver who knows these roads.

Book a Munnar Jeep Safari

Sources & further reading

  1. F. Fawcett, Notes on the rock carvings in the Edakal Cave, Wynaad, The Indian Antiquary vol. 30 (1901), via Wikimedia Commons
  2. Wikipedia: Edakkal Caves
  3. Sahapedia: Edakkal Caves
  4. Onmanorama (3 January 2026): Daily limit and rules at Edakkal caves
  5. Wikipedia: Pazhassi Raja
  6. Kerala Tourism: Bathery Jain Temple
  7. Kerala Tourism: Thirunelli Temple
  8. E. Hultzsch, The Tirunelli copper-plate grant, The Indian Antiquary vol. 20 (1891)
  9. Down To Earth (2026): Two years after the Mundakkai-Chooralmala catastrophe

Figures are from the sources listed and were checked in October 2026. Park timings and road conditions change, so please confirm before you travel.